LGBTQIA+ Resources: Print Books

The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture--sexual difference--can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology--Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson--has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories--the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture--works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story--one in which people who presumably manifest the dys-functions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery--a never-published chapter of Invisible Man that deals with a gay character in a way thatcomplicates and illuminates Ellison's project. Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson's work introduces a new mode of discourse--which Ferguson calls queer of color analysis--that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology. A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture.

"The brightest and most inviting of Burt's collections for readers of any, all, and no genders."--Boston Review Advice from the Lights is a brilliant and candid exploration of gender and identity and a series of looks at a formative past. It's part nostalgia, part confusion, and part an ongoing wondering: How do any of us achieve adulthood? And why would we want to, if we had the choice? This collection is woven from and interrupted by extraordinary sequences, including Stephanie poems about Stephen's female self; poems on particular years of the poet's early life, each with its own memories, desires, insecurities, and pop songs; and versions of poems by the Greek poet Callimachus, whose present-day incarnation worries (who doesn't?) about mortality, the favor of the gods, and the career of Taylor Swift. The collection also includes poems on politics, location, and parenthood. Taken all together, this is Stephen Burt's most personal and most accomplished collection, an essential work that asks who we are, how we become ourselves, and why we make art.

Entertainment Weekly's 27 Female Authors Who Rule Sci-Fi and Fantasy Right Now Winner of the 2017 Nebula Award for Best Novel Finalist for the 2017 Hugo Award for Best Novel Paste's 50 Best Books of the 21st Century (So Far) List "The book is full of quirkiness and playful detail...but there's an overwhelming depth and poignancy to its virtuoso ending." --NPR From the former editor-in-chief ofio9.com, a stunning Nebula Award-winning andHugo-shortlisted novel about the end of the world--and the beginning of our future An ancient society of witches and a hipster technological startup go to war in order to prevent the world from tearing itself apart. To further complicate things, each of the groups' most promising followers (Patricia, a brilliant witch and Laurence, an engineering "wunderkind") may just be in love with each other. As the battle between magic and science wages in San Francisco against the backdrop of international chaos, Laurence and Patricia are forced to choose sides. But their choices will determine the fate of the planet and all mankind. In a fashion unique to Charlie Jane Anders,All the Birds in the Sky offers a humorous and, at times, heart-breaking exploration of growing up extraordinary in a world filled with cruelty, scientific ingenuity, and magic.

LOCUS AWARD FINALIST! "This generation's Le Guin." --Andrew Sean Greer, Pulitzer Prize-winning author ofLess Charlie Jane Anders, the nationally bestselling author ofAll the Birds in the Sky delivers a brilliant new novel set in a hauntingly strange future with #10LA Times bestsellerThe City in the Middle of the Night. "If you control our sleep, then you can own our dreams... And from there, it's easy to control our entire lives." January is a dying planet--divided between a permanently frozen darkness on one side, and blazing endless sunshine on the other. Humanity clings to life, spread across two archaic cities built in the sliver of habitable dusk. But life inside the cities is just as dangerous as the uninhabitable wastelands outside. Sophie, a student and reluctant revolutionary, is supposed to be dead after being exiled into the night. Saved only by forming an unusual bond with the enigmatic beasts who roam the ice, Sophie vows to stay hidden from the world, hoping she can heal. But fate has other plans--and Sophie's ensuing odyssey and the ragtag family she finds will change the entire world.

Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection "[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy."--The New Yorker Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power.Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality--the dangers experienced in skin and body and blood--and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once."Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

In the near future, Oakland is haunted by natural disaster and political collapse. When k realizes that she has infected her girlfriend, bea, with a disease, she loses herself in a masochistic quest for atonement, leaving bea to contend with her fears about an increasingly precarious world by herself. Literary and adventurous, lyrical yet anchored, Davey Davis' work explores the meanings of responsibility, romantic love, and queer resistance in a late-capitalist hellscape where futurity is always in question.

Femme In Public (2017) is a collection of poetry by nonbinary artist Alok Vaid-Menon. In the author's words it 'is a dream of what it could look like to celebrate transfemininity in public - both in ourselves and for the people who desire us (by which I mean: everyone, across time, always)

An extraordinary debut novel exploring the metaphysics of identity and mental health, centering on a young Nigerian woman as she struggles to reconcile the proliferation of multiple selves within her

Nevada is the darkly comedic story of Maria Griffiths, a young trans woman living in New York City and trying to stay true to her punk values while working retail. When she finds out her girlfriend has lied to her, the world she thought she’d carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

Drawing on an international range of examples, from Che Guevarra to "The Crying Game," Profit and Pleasureleads the discussion of sexuality to a consideration of material reality and the substance of men and women's everyday lives.

"This book is an imagining." So begins this collection examining critical, Indigenous-centered approaches to understanding gay, lesbian, bisexual, transgender, queer, and Two-Spirit (GLBTQ2) lives and communities and the creative implications of queer theory in Native studies. This book is not so much a manifesto as it is a dialogue--a "writing in conversation"--among a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people "experience multilayered oppression that profoundly impacts our safety, health, and survival," this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.

Kay Ulanday Barrett has been bringing his unique poetry to audiences for over a decade, unpicking vital political questions around race, sickness and disability and gender, and chronicling the everydayness of life in the U.S. Empire with humor, poignancy and inimitable vitality. Now at last a generous selection of his work will be available in print. Each of these poems is a brilliant little story. Taken together, they show a master craftsman at the top of his game. Pre-order them now.